50 Books to Read Before You Die

words to inspire before you expire

Page 10 of 33

“‘A knight I am, and a knight I will die, if it be heaven’s goodwill. Some pass through the spacious field of proud ambition; others through that of servile and base flattery; others by the way of deceitful hypocrisy; and some by that of true religion: but I, by the influence of my star, take the narrow path of knight-errantry, for the exercise whereof I despise wealth, but not honour. I have redressed grievances, righted wrongs, chastised insolences, vanquished giants, and trampled upon hobgoblins: I am in love, but only because knights-errant must be so; and, being so, I am no vicious lover, but a chaste Platonic one. My intentions are always directed to virtuous ends, to do good to all, and to hurt none. Whether he, who means thus, acts thus, and lives in the practice of all this, deserves to be called a fool, let your grandeurs judge, most excellent duke and duchess.'”

—from Don Quixote by Miguel de Cervantes

” . . . two such fools, as master and man, were never before seen in the world.”

—from Don Quixote by Miguel de Cervantes

“‘ . . . there is nothing in the world so pleasant to an honest man, as to be squire to a knight-errant, and seeker of adventures . . . it is a fine thing to be in expectation of accidents, traversing mountains, searching woods, marching over rocks, visiting castles, lodging in inns, all at discretion, and the devil a farthing to pay.'”

—from Don Quixote by Miguel de Cervantes

Off-Topic: Favorite Authors

Welcome back class.

I think every self-respecting avid reader has a list of their favorite authors at the ready. Sometimes, when you’re wandering aimlessly through the used bookstore, knowing full well that you don’t have enough money to buy all the books you want, the only lifeline you can cling to is the recognition of a familiar author’s name.

So today, I thought I’d share with you my short list of favorite authors. I only had one rule when picking out each name—I have to have read more than one of their books. As much as I’d love to include Harper Lee because of To Kill a Mockingbird or Yann Martel because of Life of Pi, I only know that I like one of their books. The list below weeds out any potential one-hit wonders.

Click the links to see my blog posts on each book. The list is alphabetical to avoid bias, in case any of them stumble across this blog one day.

And without further ado, my list of favorite authors!


James Joyce

Books I’ve Read: DublinersA Portrait of the Artist as a Young Man, and Ulysses

I know I’m in the minority here. Most people find James Joyce’s stuff tedious, deliberately confusing, and needlessly weird (though Dubliners is a notable exception—it appeals to a wider audience, so if Joyce makes you uncomfortable, start with Dubliners). But for me, Joyce is a huge inspiration. His experimental style and meaningful stories have changed the way I read and write. I was lucky enough to have read his books in a helpful environment, which made it possible to understand his approach and intent while also encouraging me to discover things in his books for myself. If I see his name on the cover, I’m reading it, whatever it is.

Stephen King

Books I’ve Read: CarrieThe Shining, and On Writing

I don’t imagine Stephen King and James Joyce have much in common, but I love King for the same reason I love Joyce—he has inspired me and changed the way I read and write. Whenever I notice myself using an adverb, I think of King’s unadulterated hatred of adverbs. To him, they are a sign that the writer is afraid of being unclear . . . so they throw in the adverb to assert feelings on the reader, leaving little room for interpretation and chipping away at a story’s power.

But I didn’t just discover word choice with King—I discovered that story matters above all. Through both Carrie and The Shining, King crafted strange characters and supernatural worlds all in service of a good story. I’ve only read three books off of his loaded bookshelf, and I plan on reading more. Joyce may keep me in the clouds with his complexities, but King grounds me in a way that few authors ever have, and that’s been important to my journey as a writer.

Lois Lowry

Books I’ve Read: The Giver and Number the Stars

Lois Lowry is one of those young adult authors that prepare young readers for more mature reading. Both of the books I’ve read by her were assigned reading in middle school, and both of them left a bigger impact on me than most books from that time in my life. The Giver was an excellent piece of science fiction that prepared me for books on the 50-books list like 1984 and Brave New World; and Number the Stars portrayed the lives of children in the Holocaust, and left me empowered to be the kind of hero the protagonist chose to be.

These two books are serious dramas with emotional drive, and they are as meaningful for preteens and teenagers as they are for adults. Lowry’s stories aren’t watered-down—they are intelligent and moving. That can be hard to find in the ocean of literature for kids, and Lowry is one of those lifelines to cling to.

Gregory Maguire

Books I’ve Read: WickedSon of a Witch, and A Lion Among Men

I’ve been won over by Gregory Maguire. The first book I read by him, Wicked (which is nothing like the Broadway musical), allowed me to make the big transition between young adult books and books for adults. Maguire took the realm of a children’s fantasy series and made something serious, dark, clever, and unfiltered. And it all started with a simple concept—an attempt to understand the strange and evil Wicked Witch of the West.

I’ve read some (not all) of the sequels to Wicked, each of which have been met with mixed reactions by the same people that loved the original. I haven’t had the same reactions—I was just as moved and awe-struck with these stories of Oz-based characters beyond the Wicked Witch, and I will continue to read books by Maguire because of that. I’m excited to finish the rest of the Wicked series and I’m excited to see how special his other fantasy-oriented stories turn out.

Lemony Snicket

Books I’ve Read: A Series of Unfortunate Events, Books 1-7

This one almost doesn’t count—Lemony Snicket is the figment of the author’s imagination, through which he tells several of his stories. But I’ve never read any books by the real Daniel Handler, only those by his fictional persona Lemony Snicket, and I absolutely love Snicket’s writing. I’ve read some of his shorter works in addition, but I know Lemony Snicket mostly through his most popular series, A Series of Unfortunate Events.

Both the Netflix adaptation and the movie adaptation have their good qualities, but the books surpass them through the uniqueness of Snicket’s writing—something that cannot be described, only experienced. Snicket’s constant insistence that the reader should read something else more pleasant, his capacity for descriptive tirades and misguided definitions of large vocabulary words, his distinct brand of somber empathy . . . all of these quirks converge to portray the unfortunate lives of the Baudelaire children. To top it all off, it’s for kids—I know of no other books that portray the unpleasantries of life for kids as well as these books do, and Lemony Snicket is one of my favorite writers for that reason alone.


And that’s my list! Feel free to share you’re list with me. In the meantime, I’m finishing up Don Quixote next, and I look forward to telling you what I learned!

Until then,

Prof. Jeffrey

“‘And though this be a poetical fiction, there is concealed moral in it, worthy to be observed, understood, and imitated.'”

—from Don Quixote by Miguel de Cervantes

“‘ . . . it is necessary for a knight-errant to wander about the world, seeking adventures, by way of probation; that by achieving some he may acquire such fame and renown, that, when he comes to the court of some great monarch, he shall be known by his works beforehand . . . ‘”

—from Don Quixote by Miguel de Cervantes

“As they were thus discoursing, they perceived some thirty or forty windmills that are in that plain; and as soon as Don Quixote espied them, he said to his squire:

‘Fortune disposes our affairs better than we ourselves could have desired; look yonder, friend Sancho Panza, where you may discover somewhat more than thirty monstrous giants, with whom I intend to fight, and take away all their lives: with whose spoils we will begin to enrich ourselves; for it is lawful war, and doing God good service to take away so wicked a generation from off the face of the earth.’

‘What giants?’ said Sancho Panza.

‘Those you see yonder,’ answered his master, ‘with those long arms; for some of them are wont to have them almost of the length of two leagues.’

‘Consider, Sir,’ answered Sancho, ‘that those which appear yonder, are not giants, but windmills; and what seem to be arms are the sails, which, whirled about by the wind, make the millstone go.’

‘One may easily see,’ answered Don Quixote, ‘that you are not versed in the business of adventures: they are giants; and, if you are afraid, get aside and pray, whilst I engage with them in a fierce and unequal combat.'”

—from Don Quixote by Miguel de Cervantes

Gulliver’s Travels

Welcome back, class.

I like Gulliver’s Travels for being exactly what it is. It’s not my favorite, but I can’t help but enjoy the things that make it good. I enjoy it for the same reason I enjoy Shakespeare’s plays (and for the same reason I am currently enjoying Don Quixote, which I’ll write about soon)—the author, Jonathan Swift, takes his favorite ideas from a huge body of literature before him and makes those ideas his own in Gulliver’s Travels, which has enough flare, depth, humor, and meaning to have lasted hundreds of years.


On the surface, Gulliver’s Travels is the simple story of Lemuel Gulliver, who goes on four loosely connected adventures in his lifetime to the far reaches of the undiscovered world. He goes first to Lilliput, where he meets a nation of people mere inches tall, then to Brobdingnag where he meets a nation of giants ten times his size. His third journey involves a set of smaller adventures, notably his visit to the airborn island of Laputa. His last adventure is to the land of the Houyhnhnms, a culture of knowledgeable horses that teach him their ways.

Lemuel Gulliver on the island of Lilliput.

Ask any English teacher and they’ll tell you—Gulliver’s Travels is satire at heart. It uses the surface story of a man on a series of impossible adventures to point more than a few obvious fingers at politics, society, and humanity. I usually associate Gulliver’s Travels with The Colbert Report, if only because they accomplish the same thing in very different ways. Both use humor, absurdity, and criticism to make bold statements about the world, forcing readers and viewers to use a greater degree of logic.


Gulliver’s Travels made the list because it clearly embraces the use of satire to great success, and it did so in a way never before seen in its time. This is of course debatable—several works before Gulliver’s Travels have used satire, such as any number of Shakespeare’s works and Don Quixote. But nothing seems to have left an impression like Jonathan Swift—the entirety of Gulliver’s Travels is a dark joke, and you, gentle reader, are likely the butt of it.

Author Jonathan Swift

Swift at some point discovered that satire is one of the best forms of shaming people and calling for radical change while still being art. Somehow, in the reality we live in, the thoughts spoken meaningfully can get lost in the clutter of everyone speaking at once, but saying the exact opposite of what we mean while being facetious enough to get our point across makes people shut up and listen. In the meaninglessness of Swift’s fantasy worlds is where we can find meaning.

But Swift wasn’t entirely meaningless—a lot of passages, especially from his fourth adventure, are honest and sincere. As Swift’s narrator, Gulliver is more than a finger for pointed critically at society. We see these adventures take a serious toll on his life and directly affect his view of his family. In speaking with the Houyhnhnms (probably some of my favorite passages), he confronts some of the uglier parts of humanity and changes irreversibly.

And yet, for the most part, Gulliver is the kind of character that functions as a blank slate—a way for Swift to paint a picture of the world as he sees it, with the flare of fantasy for good measure. Gulliver’s flaws as a character help us see what Swift intends, and Swift intends a lot. His relentlessness towards society’s mass imperfections have enough detail to fill a history class, and yet are broad enough to apply to the flaws of several societies centuries later. Gulliver’s Travels is not my favorite, but it’s a work of genius everyone should get to know.


Up next is Don Quixote! I’m enjoying it so far and I’m excited to write about it.

Until then,

Prof. Jeffrey

“Thus, gentle reader, I have given thee a faithful history of my travels for sixteen years and above seven months: wherein I have not been so studious of ornament as of truth. I could, perhaps, like others, have astonished thee with strange improbable tales; but I rather chose to relate plain matter of fact, in the simplest manner and style; because my principal design was to inform, and not to amuse thee.”

—from Gulliver’s Travels by Jonathan Swift

“Temperance, industry, exercise, and cleanliness, are the lessons equally enjoined to the young ones of both sexes: and my master thought it monstrous in us, to give the females a different kind of education from the males, except in some articles of domestic management; whereby, as he truly observed, one half of our natives were good for nothing but bringing children into the world; and to trust the care of our children to such useless animals, he said, was yet a greater instance of brutality.”

—from Gulliver’s Travels by Jonathan Swift

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