words to inspire before you expire
“It matters so little to the majority of living beings what the minority, that calls itself human, desires or decides. Most of the inhabitants of India do not mind how India is governed. Nor are the lower animals of England concerned about England, but in the tropics the indifference is more prominent, the inarticulate world is closer at hand and readier to resume control as soon as men are tired.”
—from A Passage to India by E. M. Forster
Hello again, class.
The Wind in the Willows is one of the most pleasant stories I’ve read in a long time. It’s short and entertaining, full of talking animals on crazy adventures, and never shallow enough to lose suspension of disbelief. More importantly, it’s a children’s story—easily what a parent would read to their children every night, which means unlike most novels on the 50-books list, this actually is something everyone should (and could) read.
The story follows four animal characters, who each live on or around a great river: the Mole, the Water Rat, the Toad, and the Badger. Their stories intersect mildly, as the Mole adventurously abandons his home or the Toad tries desperately to return to his own, and the characters gather together at the end to wrap up the plot. It’s funny and sweet.
Author Kenneth Grahame
I don’t think the story and characters would be all that special, though, if it wasn’t for Kenneth Grahame’s writing. He adapted the bedtime stories he would tell his son into this novel, and because of that, he made it meaningful. Grahame balanced the animal-instinct for adventure with the desire for the comforts of home; he harnessed the distinctions between creatures and embraced those differences; and he portrayed the simple elements of nature with the same depth and complexity as the world of humanity can be perceived—at least by a child. His care for this story made it beautiful, and that’s why it makes the list.
Everything seems to have a dream-like quality as well, and that’s no mistake—the word “dream” is used obnoxiously often. Apart from a few main story arcs, most of the chapters feel like individual short stories, jumping between random plot points like a dream would. The talking animals, the exciting adventures, the beautifully comforting language . . . The Wind in the Willows is a childhood dream brought to life.
I do still question it’s inclusion on the list. The excellent writing and the portrayal of a child’s fantasy dreamworld is already on the list—Alice’s Adventures in Wonderland. Lewis Carroll’s classic is also much more popular and more fantasy-heavy than The Wind in the Willows, so why include Grahame’s novel at all? If we needed another children’s fantasy, we could have also included The Hobbit or Peter Pan . . . why The Wind in the Willows?
I don’t have much of an answer. It’s not that The Wind in the Willows is bad, but there are plenty of books missing from this list. Any one of them could have replaced this one. In any case, this would only be a concern if we were ranking the books on this list, and since that’s not what the list is about, I encourage you all to give this story a go.
I’m reading Harper Lee’s To Kill a Mockingbird next—for my book #25! Halfway there! And there’s no better book to wrap up the first half of my blog with.
Until next time!
Prof. Jeffrey
“As he hurried along, eagerly anticipating the moment when he would be at home again among the things he knew and liked, the Mole saw clearly that he was an animal of tilled field and hedge-row, linked to the ploughed furrow, the frequented pasture, the lane of evening lingerings, the cultivated garden-plot. For others the asperities, the stubborn endurance, or the clash of actual conflict, that went with Nature in the rough; he must be wise, must keep to the pleasant places in which his lines were laid and which held adventure enough, in their way, to last for a lifetime.”
—from The Wind in the Willows by Kenneth Grahame
Happy New Year, class!
Yann Martel’s Life of Pi is one of the strangest books I’ve ever read. It tells the story of a teenage Indian boy named Pi, who is trapped on a lifeboat in the Pacific with a small group of animals, including an adult Bengal tiger. This is his story of survival—he is forced to train the tiger, using his father’s zookeeper knowledge, while also surviving isolation, hunger, infection, and the terrors of the open ocean. If this was all it was, it would still be a unique and remarkable story…but of course, there’s more to it.
Yann Martel, author of Life of Pi
The author’s note claims that this is “a story that will make you believe in God.” It’s a tall order, and I think Martel accomplishes this—his philosophy is that belief comes down to the story people choose, which is as important as the facts themselves.
He makes this happen through Pi, an amazingly original character. This is a boy who fell in love with religion at first sight; he compares his own obsession with God and faith to his older brother’s obsession with sports and music. He was raised Hindu from his mother, while his father shunned religion politely; he eventually found Christianity and Islam as well, and actively practiced an interfaith religion for all of his life.
Clip from the movie adaptation of Life of Pi
What Pi loves most about religion are the stories. The overflowing number of gods and deities in Hinduism, the overarching prologue and tale of Jesus as Christ, the beautiful imagery and faith of Islam…these keep him going throughout his struggles. More importantly, his faith is the heart of the story. Pi is so overflowing with love, with worship and belief, that it pours off of the pages. His journey with belief has more of an impact on his life than his ordeal on the Pacific.
That being said, Pi’s ordeal is terrifying, graphic, and even hilarious at times. The tiger—named Richard Parker, in a strange origin story—is as much a character as Pi, and their journey toward communicating with each other is a roller coaster. Richard Parker can never be trusted, and though there are moments that indicate he is more than an animal, Pi is constantly reminded of Richard Parker’s natural instincts. Any moment of weakness from Pi could mean death…for both of them.
Hidden in this captivating plot is that common English class theme, “man vs. nature.” Richard Parker is a force of nature, and Pi has to learn that over and over again—that Richard Parker is not his friend and cannot understand love. Martel’s point with this distinction is the same point he makes about religion and belief toward the stories we choose. Human beings have the capacity to understand religion, to love, to wish for order out of chaos. Animals have only their instincts—no faith, no order, no love.
Clip from the movie adaptation of Life of Pi
It’s not a popular distinction—no one wants to think their dog or cat doesn’t love them. Pets understand dependency, fear, want, and certainly happiness, but not something as complex as love. That’s why we take them and care for them as pets, and why we place them in the safety of zoos and do what we think is best for them. The responsibility of caring for animals is, morally speaking (and religiously speaking, in a way), a human obligation. To understand this is to sense the overwhelming spectrum of emotions this novel provides.
I love this book. It means so much to me. It is original, inspiring, and powerful. I can’t capture it all in a blog post, so I recommend reading it. Yann Martel is an amazing author, and he has created an amazing work of fiction.
Up next, I’m currently reading and finishing The Canterbury Tales by Geoffrey Chaucer. I’m not really enjoying it yet…it has it’s moments, sure, but can be a bit much. We’ll see what happens. Thanks for coming to class, and again, happy New Year!
Prof. Jeffrey
“But even animals that were bred in zoos and have never known the wild, that are perfectly adapted to their enclosures and feel no tension in the presence of humans, will have moments of excitement that push them to seek to escape. All living things contain a measure of madness that moves them in strange, sometimes inexplicable ways. This madness can be saving; it is part and parcel of the ability to adapt. Without it, no species would survive.”
—from Life of Pi by Yann Martel
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