words to inspire before you expire

Tag: The Stranger

The Stranger

Good morning, class.

It’s hard to write about The Stranger because there’s so little of it. It’s not the shortest novel on the list of 50 Books to Read Before You Die, but it feels like it is—it’s like an extended short story, circling one major event in the center, building up to it and reacting to it. It’s the story of a man named Meursault, unworried and unambitious, who commits murder and goes to trial. There, he faces his own mortality and means to understand the meaninglessness of the universe.

Meursault has a philosophy of life that answers every problem that approaches him: nothing matters. His mother dies in the opening line of the novel—and nothing matters. His employer doesn’t see him as ambitious enough and dares him to care more about his job—but nothing matters. He is arrested for murder that he feels isn’t his fault—still, nothing matters. It’s more of a philosophy than a story; but then the philosophy and the story collide, and things get interesting. What about love? Romantic love, family, friendship? Does that matter? What about religion, afterlife, the soul—do those things matter? Does one’s own life matter? Meursault faces those questions with his philosophy like a knight faces a dragon with a sword—the drama of such a mundane, detached story comes in when his lifestyle of detachment is threatened by things that require passion, care, commitment . . . and whether or not Meursault upholds his beliefs is what makes him a philosophical hero.


I have some personal bias here—like with other books on the 50-books list that handle belief systems, the philosophy of this story conflicts with mine and makes it difficult for me to connect with it. It’s hard enough anyway to connect with The Stranger—it disregards and abandons connection. The belief that nothing matters is found not only in what’s being said, but also in how it’s being said. It’s a story that feels emotionless, and it means to strip away not only the things we’re supposed to care about, but also the act of caring at all. Long story short, it’s difficult to appreciate this story while reading it.

But to discuss it (especially in a classroom setting) opens up some of the most important questions people can ever ask. What does it mean to live as if nothing matters? What are the stories—or, more appropriately, lies—that we tell each other to convince ourselves to care? And the things that we care about—justice, family, God, money, comfort, morality, health, beauty . . . what if those things are simply shadows on a cave wall?

I don’t have answers to those questions, and I don’t even have all the questions. But if you read The Stranger honestly and witness this one man’s struggle with his state in the vast universe, I can bet you’ll start asking those questions yourself.


Author Albert Camus

It’s hard to tell this kind of story, so credit is due to the author, Albert Camus. It’s not the most exciting book—like I said, it’s less story, more philosophy—but Camus knows how to frame philosophy in the heart of his story. I’ve also read The Plague by Camus, and it asks similar unanswerable questions of existence and mortality, and tells a story worth reading. If anything, Camus made the list for a good reason.

Next up is Heart of Darkness by Joseph Conrad—another one as morbid and thought-provoking as The Stranger, with a bit more story in it’s punch. More on that next time.

Until then,

Prof. Jeffrey

” . . . everybody knows life isn’t worth living. Deep down I knew perfectly well that it doesn’t much matter whether you die at thirty or at seventy, since in either case other men and women will naturally go on living—and for thousands of years. In fact, nothing could be clearer. Whether it was now or twenty years from now, I would still be the one dying. At that point, what would disturb my train of thought was the terrifying leap I would feel my heart take at the idea of having twenty more years of life ahead of me. But I simply had to stifle it by imagining what I’d be thinking in twenty years when it would all come down to the same thing anyway. Since we’re all going to die, it’s obvious that when and how don’t matter.”

—from The Stranger by Albert Camus

As I was leaving the courthouse on my way back to the van, I recognized for a brief moment the smell and color of the summer evening. In the darkness of my mobile prison I could make out one by one, as if from the depths of my exhaustion, all the familiar sounds of a town I loved and of a certain time of day when I used to feel happy. The cries of the newspaper vendors in the already languid air, the last few birds in the square, the shouts of the sandwich sellers, the screech of the streetcars turning sharply through the upper town, and that hum in the sky before night engulfs the port: all this mapped out for me a route I knew so well before going to prison and which now I traveled blind. Yes, it was the hour when, a long time ago, I was perfectly content. What awaited me back then was always a night of easy, dreamless sleep. And yet something had changed, since it was back to my cell that I went to wait for the next day . . . as if familiar paths traced in summer skies could lead as easily to prison as to the sleep of the innocent.”

—from The Stranger by Albert Camus

I probably did love Maman, but that didn’t mean anything. At one time or another all normal people have wished their loved ones were dead.”

—from The Stranger by Albert Camus

” . . . [my boss] asked me if I wasn’t interested in a change of life. I said that people never change their lives, that in any case one life was as good as another and that I wasn’t dissatisfied with mine here at all. He looked upset and told me that I never gave him a straight answer, that I had no ambition, and that that was disastrous in business. So I went back to work. I would rather not have upset him, but I couldn’t see any reason to change my life. Looking back on it, I wasn’t unhappy. When I was a student, I had lots of ambitions like that. But when I had to give up my studies I learned very quickly that none of it really mattered.”

—from The Stranger by Albert Camus