words to inspire before you expire

Tag: Birdsong

Birdsong

Hello again, class.

World War I and World War II are often lumped together as a collective global stain of history. They are so linked that WWII is usually seen as an extension of WWI, and it’s hard to talk about one without the other. It’s easy to forget that at the time, WWI was its own devastating conflict, worse than anything that had come before it and unimaginably tragic on its own.

That seems to be the driving motive behind author Sebastian Faulks’ novel Birdsong. In lumping together both World Wars, the identity of the first Great War gets lost in the past—Birdsong is about bringing that past to the forefront, lending focus to the social and cultural atmosphere at the time of WWI. The story is in its own way about uncovering history, using it to guide our present and plan our future while appreciating it for what it is, regardless of what happens next.


Poster for the stage adaptation of Birdsong (2010)

Faulks wouldn’t be able to accomplish this without a supportive story, and good characters to populate it. It’s safe to say that Stephen Wraysford is Birdsong‘s main character—he is a man with a complicated upbringing coupled with a melodramatic love affair in his early 20s, who is thrust into the Great War. His relationships with other men in the war help to humanize the conflict, though with all the violence he sees, he is always questioning humanity and its destiny. He seems fairly determined to hide his past, though he isn’t ashamed of it, and his love affair plays an important role in his future.

Fast-forward to the 1970s, where we meet a woman who is presumably his granddaughter—Elizabeth Benson, who shares some of the responsibility as main character. This 38-year old woman, having an affair of her own, is contemplating her place in life and decides to unearth her ancestral history. The novel jumps back and forth between Stephen’s perspective and Elizabeth’s, merging both points of view to appropriately assess the events of the war.


Author Sebastian Faulks

Birdsong is historical fiction—not a dramatization of real events. A based-on-a-true-story approach might have worked just as well for the sake of realism, but Faulks isn’t interested in detailing who did what where. He created fictional characters to fill them with the spirit of the people involved. Birdsong is a human drama, not a war epic or a nonfiction account—those things would be about the war itself, which is just another conflict in our history. Birdsong instead tells a story about individuals, who bear the weight of a larger catastrophe and question their place in it all.

If it were boiled down to one thing, Birdsong is a story about the best and worst of human nature. Stephen constantly asks himself how far the people in this war are willing to go, and nothing he sees lets him rest easy. But humanity has its moments of redemption in the way individuals treat each other: the way soldiers treat fellow soldiers, the way Stephen treats those he loves, and the way Elizabeth is able to find love amidst the war of her past. Humanity can be a cannibalistic hunger, a vain and selfish ambition that threatens its own existence, but it can also be warm and compassionate, full of love and hope. Birdsong makes the list for portraying humanity at its ugliest and at its most beautiful.


I liked reading Birdsong a lot, which has maybe contributed to my distaste for the next book on the list—a novel by Martin Amis called Money: A Suicide Note. I know why it made the list, but all the same I haven’t enjoyed it at all . . . but I’m getting ahead of myself. More on that next time.

Until then,

Prof. Jeffrey

“‘Where there is real love between people, as there was between all of us, then the details don’t matter. Love is more important than the flesh and blood facts of who gave birth to whom.'”

—from Birdsong by Sebastian Faulks

” . . . Elizabeth was struck, not for the first time, by the thought that her life was entirely frivolous.

It was a rush and slither of trivial crises; of uncertain cash-flow, small triumphs, occasional sex and too many cigarettes; of missed deadlines that turned out not to matter; of arguments, new clothes, bursts of altruism and sincere resolutions to address the important things.”

—from Birdsong by Sebastian Faulks

“It seemed to Jack that if an ordinary human being, his own son, no one particular, could have this purity of mind, then perhaps, the isolated deeds of virtue at which people marveled in later life were not really isolated at all; perhaps they were the natural continuation of the innocent goodness that all people brought into the world at their birth. If this was true, then his fellow-human beings were not the rough, flawed creatures that most of them supposed. Their failings were not innate, but were the result of where they had gone wrong or been coarsened by their experiences; in their hearts they remained perfectible.”

—from Birdsong by Sebastian Faulks

“At first he thought the war could be fought and concluded swiftly in a traditional way. Then he watched the machine gunners pouring bullets into the lines of advancing German infantry as though there was no longer any value accorded to a mere human life. He saw half his platoon die under the shells of the enemy’s opening bombardment. He grew used to the sight and smell of torn human flesh. He watched the men harden to the mechanical slaughter. There seemed to him a great breach of nature which no one had the power to stop.”

—from Birdsong by Sebastian Faulks

“This is not a war, this is an exploration of how far men can be degraded.”

—from Birdsong by Sebastian Faulks

“None of these men would admit that what they saw and what they did were beyond the boundaries of human behavior. You would not believe, Jack thought, that the fellow with his cap pushed back, joking with his friend at the window of the butcher’s shop, had seen his other mate dying in a shell-hole, gas frothing in his lungs. No one told; and Jack too joined the unspoken conspiracy that all was well, that no natural order had been violated.”

—from Birdsong by Sebastian Faulks